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Chidushay Bang Parshat Vayishlach: Dina The Simchat Torah Dance! Yaakov from Toronto SHAVUOT - Holiday of the NIGHT! Purim: Is Shikar the Ikar? When I saw his face now I'm a
Baal Teshuva It's
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Savior or Brady Bunch Father
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the beef on Chanukah? Rushing
into Greek Week Shabbos Reinforcement Shmini Atzeret: Shavuot II Succos: Sleepin' in the Succah Parshat Ki Tavo: Use the Force! Parshat Ki Taysay: How To Treat a Woman Right! Parshat Shoftim: VH1 Behind the Avairah Parshat Dvarim: UNITY The UWS Survival Dvar Torah Parshat Chukat: THE ROCK! Do the Rite Thing Jerusalem, I Hardly Know Him! Press
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Bang the Rabbi presents: Parshat
Vayakhel and Shekalim This shabbat we read two parshiot dealing with a favorite topic of Jewish
institutions ever since Moshe returned from Mount Sinai: fundraising. Vayakhel,
the regular weekly parsha, deals with the Israelites’ giving gold, silver, and
other valuable materials for the building of the mishkan, the Tabernacle. The
special maftir portion, Parshat Shekalim, which is read yearly before Rosh
Chodesh Adar, deals with the mitzvah of all Jews eligible for army service
giving a half shekel for the mishkan.
These two parshiot obviously share common themes, but as if that wasn’t enough
Chazal emphasize that point for us in similar aggadot.
According to an amusing piece of midrash in Bamidbar Rabbah (parsha 15:10,)
when Hashem commanded Moshe to make the Menorah, Moshe didn’t understand how it
was to be made. So Hashem said “mikshah tei’aseh hamenorah” (“of beaten work
shall the candlestick be made” Exodus 25:31; That seems clear enough
instructions for most of us for making a huge, complicated golden candelabrum,
of course!) Moshe went down from Mount Sinai and forgot. He came back to Hashem
and asked again. So Hashem said “mikshah tei’aseh hamenorah”. So Moshe went
down again and promptly forgot again. So next time, Hashem showed Moshe the
menorah. So Moshe went down again and forgot again. (Being the lawgiver is
quite a mountaineering workout!) When he came back to Hashem again, He showed
him what the menorah was supposed to look like, but Moshe still had trouble
with it. Hashem said “U’reah v’aseh!” (“see [it] and make [it]”) which
apparently didn’t help Moshe much since Hashem then showed him a “menorah of
fire” and its making. Even so, Moshe didn’t get it. Finally Hashem said “Go to
Betzalel and he’ll make it.” So Moshe went and told him and Betzalel had no
problem with it. (A similar midrash, probably an earlier version of this one,
is found in Menachot 29a, where fiery images of the other vessels are also
shown to Moshe, but in that one he has no trouble comprehending them; it’s much
less amusing.)
In a similar vein, regarding the half shekel, we find in the Yerushalmi
Masechet Shekalim 1:4, Rabbi Meir says the Holy One blessed be He, took out a
likeness of a coin made of fire from under his Throne of Glory and showed it to
Moshe and said to him “‘give this’ – give like this.” However, this time Moshe
had no trouble understanding what a shekel was.
The half shekels, once collected, were first used for making adanim, the bases
which held the planks of the mishkan’s walls. In subsequent years, when the
mishkan was no longer being built, they were used for purchasing the public
sacrifices. So both the shekalim and the other donations/offerings were used
for building the mishkan, and later for its regular operating expenses. (Thus
leading to the tradition observed among us until today, with modern expense
accounts mostly used for buying expensive meat.)
Both of these donations are described with fire in the above midrashim. This
can be interpreted in many ways. One understanding is that the fire motif is
Chazal’s emphasis, “spiritualizing” the donations of material wealth. The fire
represents something non-physical, reminding us that even though giving money
and/or valuables seems like a fairly materially oriented action, if done for
the proper motivation it transcends the physical. This is true for all
physically performed mitzvoth, of course, but it is often necessary to add
imagery like this to remind us. In a similar vein, the fire can also
represent “hitlahavut” (“eagerness” or “zeal”, but etymologically related
to “flame”) which was needed in the giving of materials for the mishkan, and,
indeed for other mitzvot as well.
On the other hand, there is also a contrast between the two different types of
giving in these two parshiot. The donations of all kinds of materials, and
labor, for the building of the mishkan were from whatever one had in their
possession and whatever one wanted to give. For example, “v’kol asher nimtzah
ito atzei shittim l’kol m’lechet ha’avodah heiviu” - “everyone who happened to
have shittim wood for all the work of the tasks, brought it”; and who among us
doesn’t have some shittim wood lying around in their living rooms? (No, that’s
oak! v’hameivin yavin.)
Each person’s donation, both in materials and in creative work, was their own
unique contribution, different from anyone else’s and based on their own
individual character and God given talents. Perhaps this is the idea that
Chazal are pointing to when Moshe could not grasp the ma’aseh ha’menorah,
because it needed Betzalel’s unique creative talents to build it. However, the
half shekel was the same for everyone: “he’ashir lo yarbeh v’hadal lo yam’it
mimachatzit hashakel” – “the rich shall not add more and the poor shall not
diminish from a half shekel.” Everyone is equal and nobody’s donation is
allowed to differ from anyone else’s.
These two examples also represent two aspects we should observe in our avodat
Hashem. Some mitzvot require that they be done by everyone equally, whether we
want to or not (and we know which ones those are…) Simply performing them in
a “baseline” manner, regardless of our feelings is necessary for our spiritual
growth and well being, like the half shekel, which was “l’chaper al
nafshoteichem” – “to atone for your souls.” However, some mitzvot, like the
donations to build the mishkan, are more individual and require us to perform
them in our own unique way, with our own creativity and thoughts being an
indispensable aspect of their performance. For example, learning torah, which
encourages the creation of “chiddushim”, new ideas and interpretations of
torah.
These two ideas are not mutually exclusive. Quite the opposite, they are
mutually indispensible! Take tefillah (please!) Some days, one has real
kavannah, and their prayers are very unique and personal. Perhaps the rabbis
who say the above aggadot would say that they have a “tefillah of fire.” Other
days (or even the same day, different tefillah) they daven by rote with little
kavannah, but still fulfill the mitzvah because they need to. Or sometimes, one
goes to daven because they feel required, but not inspired, and suddenly
realize as they daven that they are moved and uplifted by their tefillah.
This can also be seen in Parshat Shekalim, a.k.a. “ki Tisa” – “when you count”
which could also be “when you lift up.” Recall also that the money raised from
the half shekels was used as the basis for the rest of the mishkan, without it,
the mishkan would not be able to stand. Without the performance of mitzvot,
even when they seem to be uncreative, the rest of the mitzvot could
not “stand.” Even performing a mitzvah that does not seem to require from the
person doing it the creative input required for the building of the “menorah of
fire” will uplift us as will donating a “coin of fire.”
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