The Others, like its popular predecessors The Sixth Sense and The Usual Suspects, keeps us (here, literally) in the dark for the entire movie and then, just before everyone packs up to leave, throws a shocking curve our way making us rethink everything we have just seen; and when it is done right, leaves us pleasantly choked by the feeling that “they got me.” I boldly venture that The Others tops both of these aforementioned films, at least in the slyness of the gimmick. The zinger ending is as clever as you could ask for- and if not for some rather trying “if